Exploding Kittens – From Card Game to Netflix Latest Animated Series | Review

by Larry Fried| 12 Jul 2024

ANNECY 2024: MIFA Pitches – Short Films to Watch Out For

by Aaron Wood| 28 Jun 2024

ANNECY 2024: The Festival Trailers Celebrating Portugal

by Aaron Wood| 22 Jun 2024

ANNECY 2024: Five Commissioned Films Highlights

by Aaron Wood| 21 Jun 2024

ANNECY 2024: The Glassworker – Review

by Ryan Gaur| 20 Jun 2024

ANNECY 2024: The Colors Within Review | Naoko Yamada’s Latest Feature Reaches Your Inner Child Through Music & Colour

by Kévin Giraud| 18 Jun 2024

ANNECY 2024: Memoir of a Snail Review

by Steve Henderson| 15 Jun 2024

ANNECY 2024: Short Films in Competition – Official 1

by Steve Henderson| 13 Jun 2024

Inside Out 2 – Review

by Ryan Gaur| 13 Jun 2024

ANNECY 2024: Sauvages Review

by Steve Henderson| 11 Jun 2024

ANNECY 2024: Most Precious of Cargoes Review

by Steve Henderson| 10 Jun 2024

Knuckles Review: “Knuckles’ presence forces the show into telling a different kind of story”

by Ryan Gaur| 27 Apr 2024

Our 10 Favourite Pitches From Cartoon Movie

by Ryan Gaur| 15 Mar 2024

Orion and the Dark | Review

by Martyn Warren| 01 Feb 2024

Blue Giant | Review

by Ryan Gaur| 31 Jan 2024

‘Pokémon Concierge’ Renders the Franchise in Stop-Motion for First Time | Review

by Larry Fried| 29 Dec 2023

Hilda Season 3 Review: The Young Explorer’s Final Enchanting Adventure

by Martyn Warren| 19 Dec 2023

20 Years of LIAF + Interview with Nag Vladermersky, Festival Director

by Mara Frampton| 12 Dec 2023