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Do you dream of working in animation, games or visual effects? At Escape Studios, we’ve been supplying the creative industries with studio-ready talent in these key areas since 2002. Book your place at our open day on Saturday 23rd September to: - Explore our new campus on the Greenwich Peninsula
- Learn more about our courses in Animation, Games and Visual Effects
- Meet our expert tutors and chat with Applicant Advisors
- Check out a motion capture demo with our Head of VFX
Book now to find out how Escape Studios can help you get your dream career!
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When it comes to a filmmaker as prolific as Hayao Miyazaki, any new addition to his filmography is bound to be compared to, and likely overshadowed by, his previous work. There are few filmmakers in any medium, let alone animation, with legacies as impenetrable as the Japanese auteur. When Miyazaki graces us with a new magnum opus, people are quick to connect the dots and expand the ongoing narrative with poise and insight...
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UK animation will be making a return to Cartoon Forum this year in a special initiative ‘Animation UK Meets Europe’. A total of five new projects in development from UK creative voices will be pitched together with a UK broadcast partner in a 90-minute pitching session with each new project actively looking for collaboration with a European partner.
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Workshops with internationally recognized creators who are going to uncover the secrets of their work for participants, mentor’s guidance for young female producers and production managers, meetings with crucial international animation studios – all of this is offered by this year’s edition of ANIMARKT Stop Motion Forum. This Autumn for the eighth time the stop motion world is visiting Łódź to discuss the industry’s situation and search for new talents.
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Mutant Mayhem is yet another example of mainstream animation moving away from hyper-realistic, ultra-clean showcases of the power of CGI, towards an art form that celebrates the medium’s origins. Hand drawn scribbles and brush strokes encompass clay-like CG models. Expectations of what a background, a building, a face can look like are thrown out the window with this wonderfully misshapen art style.
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The filmmaking experience for black and brown people is not always conducive to creative freedom. Particularly when handling projects for mega-corporations who want to be seen as diverse to get the young people on board, but not too diverse as to not piss off their loyal conservative customers. Series producers Tendayi Nyeke, Peter Ramsey and Anthony Silverston were not pushing their directors to tick boxes, but instead to focus on their creativity, to push the design of their sci-fi worlds to ensure Kizazi Moto was unlike anything else seen on the mainstream stage.
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