In a year populated with exciting, vibrant new stop-motion projects, many of which having found a home on Netflix, 2022 may have very well saved the best for last. This would be no mean feat, especially in contemplation of such captivating endeavours as January’s The House and the eagerly anticipated return of Henry Selick this … Continue reading Guillermo del Toro & Mark Gustafson on bringing ‘Pinocchio’ to life | Interview + Review