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Skwigly Podcast: Rosto (Studio Rosto A.D)

// Featured, Independent Animation, Interviews


Episode48In the latest episode of the Skwigly Animation Podcast we welcome the highly prolific and acclaimed Dutch animator/multimedia storyteller Rosto. With musical origins that date back to the early nineties, Rosto’s interactive graphic novel project Mind My Gap began in 1998 and has since spawned a number of multi-award-winning animated shorts, including (the rise an fall of the legendary) Anglobilly Feverson, The Monster of Nix, No Place Like Home, Lonely Bones (the concluding chapter of Mind My Gap) and his most recent film Splintertime (which branches off into the continuing adventures of the metaphysical band Thee Wreckers).

Fresh from So Far, So Evil a recent exhibition as part of Animateka Aniweb exploring the Mind My Gap universe that took place at the Museum of Moden Art in Slovenia, Rosto’s Splintertime is still going strong, recently picking up a hat trick (Jury Award, Student Jury Award and Audience Award) of prizes at the European Short Film Festival of Bordeaux with upcoming screenings at this year’s edition of ITFS Stuttgart.

Also discussed in this episode: Skwigly anxiety dreams, forehead breasts, upcoming features (The Secret Life of Pets, Angry Birds and the extremely necessary Emoji movie), animators that push the limits and more!
Stream the latest episode below or direct download here.

To catch up on the podcast so far be sure to visit the Podcasts section of the site and, so as not to miss out on any future episodes, you can subscribe on iTunes!

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Got an idea for the next big smash hit TV show? But HOW do you get your idea onto the screen? #Animation #Event t.co/II4jVI9AGC
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Neil Whitman
1 week to go until @CburyAnifest! Here a piece I wrote for @skwigly animation magazine all about this years lineup. t.co/6MLitpOsJi
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Skwigly Animation
Podcast interview w/ 'Le Clitoris' director @LoriMalepart t.co/OkAjtgXXgA See it at @EncountersSFF tonight!… t.co/uswdtTCzAv
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Abigail Animate
@josephwallaceuk @skwigly Ah thanks for confirming. I thought more would be made in the press about it being a British studio
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