Featured

Netflix unveils premiere date and voice cast for ‘Skull Island’

by Ben Mitchell| 24 May 2023

Business

Kunda Kids announces ‘Kunda & Friends’ YouTube series

by Skwigly| 23 May 2023

Featured

THE OLD MAN MOVIE: LACTOPALYPSE! Review

by Steve Henderson| 23 May 2023

Business

Pink Parrot Media’s ‘Unstable’ saddles up international partners

by Skwigly| 23 May 2023

Featured

Nimona: Teaser and images released

by Ben Mitchell| 18 May 2023

News

Rising of Lusitania – AnimaDoc Film Festival CALL FOR ENTRIES | Deadline 18 July

by Skwigly| 18 May 2023

News

Award-Winning Filmmakers To Appear In Person At VIEW Conference 2023: Stop-Motion Legend Henry Selick, Lucasfilm’s Doug Chiang and ILM’s Hal Hickel

by Skwigly| 15 May 2023

Podcast

Animation One-To-Ones Episode #23 – Magdalena Osinska (I Am Not Your Mother)

Skwigly Podcast | 15 May 2023

Featured

FIAPF and WIA select delegations for second edition of Stories x Women

by Skwigly| 13 May 2023

News

Studio 100 Film to showcase “Giants Of La Mancha” at Marche Du Film in Cannes

by Skwigly| 11 May 2023

Business

Magic Light and the BBC announce Tabby McTat, a star-studded animation by Julia Donaldson and Axel Scheffer

by Skwigly| 11 May 2023

Business

Wonderworld.Fun launches with bold new vision for animation

by Skwigly| 10 May 2023

News

World premiere of Terril Calder’s NFB installation ‘Meneath: The Mirrors of Ethics’ at Tribeca

by Skwigly| 10 May 2023

Review

FMX – Film & Media Exchange – 2023 Report

by Mat Clark| 09 May 2023

News

TOKYO STORIES Coming to UK Cinemas 23rd May 2023

by Skwigly| 04 May 2023

News

Happy the Hoglet, ODO, and Silverpoint Make up Animation Nominees at RTS NI Programme Awards

by Skwigly| 03 May 2023

News

CAFÉ 2023: An unmissable event for visual effects and animation

by Skwigly| 01 May 2023

News

Connections that touch and animate: ITFS 2023 Winners

by Skwigly| 01 May 2023