Trailer released for Magic Light’s ‘The Smeds and the Smoos’

by Skwigly| 02 Dec 2022

“That’s the business model of animation in this country: it’s a race to the bottom” – Understanding Creativity Without a Voice

by Melanie Cionco| 30 Nov 2022

The Smeds and The Smoos – Producers Barney Goodland & Michael Rose Talk Latest Magic Light Pictures Christmas Special

by Martyn Warren| 28 Nov 2022

Watch: Trailer for Guillermo del Toro’s ‘Pinocchio’

by Ben Mitchell| 09 Nov 2022

Henry Selick (Wendell & Wild) Podcast Interview

by Ben Mitchell| 27 Oct 2022

Pinocchio: Interview with Puppet Supervisor Georgina Hayns & Production Designer Guy Davis

by Laura-Beth Cowley| 18 Oct 2022

Get career advice from an award-winning Animation studio, Blue Zoo

by Skwigly| 12 Oct 2022

Trailer & key art released for Netflix’s ‘ONI: Thunder God’s Tale’

by Ben Mitchell| 07 Oct 2022

Netflix reveal trailer and new images for Nora Twomey’s ‘My Father’s Dragon’

by Ben Mitchell| 29 Sep 2022

First image revealed for new Magic Light special ‘The Smeds and The Smoos’

by Skwigly| 29 Sep 2022

Manchester Animation Festival release 2022 programme

by Skwigly| 22 Sep 2022

Aardman’s ‘Lloyd of the Flies’ – new trailer + podcast interview!

by Ben Mitchell| 20 Sep 2022

First teaser trailer for ‘Wendell & Wild’ released

by Ben Mitchell| 06 Sep 2022

We Can’t Keep Letting Businessmen Decide What Art Can Exist

by Ryan Gaur| 30 Aug 2022

The National Film Board of Canada marks the passing of Gerald Potterton

by Skwigly| 25 Aug 2022

Get career advice from motion designers who have worked for Redbull, Apple and MTV

by Skwigly| 09 Aug 2022

‘Christopher at Sea’ – new work from Tom C J Brown to premiere at Venice Film Festival

by Skwigly| 02 Aug 2022

Blinkink’s Stevie Gee & Essy May create a mixed media mini-extravaganze for Amazon Music

by Skwigly| 02 Aug 2022