9 Animation Studios We Want To See in ‘Star Wars: Visions’ Volume 3

by Larry Fried| 06 Jun 2023

WIA, GLAAD collaborate for 7th annual WIA World Summit at Annecy

by Skwigly| 02 Jun 2023

Michaël Dudok de Wit designs poster for Countryside Animafest Cyprus 2023

by Ben Mitchell| 02 Jun 2023

Laloux & Topor’s Beautiful World: The 50th Anniversary of Fantastic Planet

by Martyn Warren| 26 May 2023

Netflix unveils premiere date and voice cast for ‘Skull Island’

by Ben Mitchell| 24 May 2023

THE OLD MAN MOVIE: LACTOPALYPSE! Review

by Steve Henderson| 23 May 2023

Nimona: Teaser and images released

by Ben Mitchell| 18 May 2023

FIAPF and WIA select delegations for second edition of Stories x Women

by Skwigly| 13 May 2023

Magic Light and the BBC announce Tabby McTat, a star-studded animation by Julia Donaldson and Axel Scheffer

by Skwigly| 11 May 2023

Star Wars: Visions Season 2 Showcases Animation from Almost Every Continent

by Ryan Gaur| 01 May 2023

Boat People | Q&A with Thao Lam and Kjell Boersma

by Ben Mitchell| 26 Apr 2023

Blue Zoo receives Epic Megagrant in support of MoPo – a revolutionary new way of rapidly creating animated content using VR in Unreal Engine

by Skwigly| 25 Apr 2023

Lackadaisy | Podcast interview with Tracy Butler and Fable Siegel

by Ben Mitchell| 21 Apr 2023

‘My Neighbour Totoro’ at 35: The Antidote to an Overstimulating World

by Ryan Gaur| 16 Apr 2023

Second Edition of the Skwigly book ‘Independent Animation’ out now

by Skwigly| 11 Apr 2023

The Super Mario Bros. Movie: Can Franchise Storytelling Be Good?

by Ryan Gaur| 31 Mar 2023

FLAMIN Animations premiere at TNB XPO as applications open for next round

by Skwigly| 29 Mar 2023

A+C Studios announce new directorial roster

by Skwigly| 28 Mar 2023