Remembering The Wombles: 50 Years of Ivor Wood’s Classic Series

by Martyn Warren| 15 Feb 2023

Women In Animation announces recipients of 2023 WIA Scholarships

by Skwigly| 13 Feb 2023

‘Turning Red’ | Q&A with Domee Shi

by Ryan Gaur| 07 Feb 2023

Aardman and Cartoon Saloon among top-tier animation studios for ‘Star Wars: Visions’ Volume 2

by Ben Mitchell| 03 Feb 2023

Joel Crawford and Mark Swift on ‘Puss In Boots: The Last Wish’

by Ryan Gaur| 03 Feb 2023

The Animation Showcase release Oscar® shortlisted films to industry professionals and students

by Skwigly| 16 Jan 2023

❄️Skwigly’s Seasonal Playlist❄️

by Ben Mitchell| 23 Dec 2022

Interview – The Boy, The Mole, The Fox and the Horse

by Steve Henderson| 21 Dec 2022

Across the Spider-Verse Trailer + The Directors Speak!

by Steve Henderson| 14 Dec 2022

Guillermo del Toro & Mark Gustafson on bringing ‘Pinocchio’ to life | Interview + Review

by Ben Mitchell| 09 Dec 2022

Trailer released for Magic Light’s ‘The Smeds and the Smoos’

by Skwigly| 02 Dec 2022

“That’s the business model of animation in this country: it’s a race to the bottom” – Understanding Creativity Without a Voice

by Melanie Cionco| 30 Nov 2022

The Smeds and The Smoos – Producers Barney Goodland & Michael Rose Talk Latest Magic Light Pictures Christmas Special

by Martyn Warren| 28 Nov 2022

Watch: Trailer for Guillermo del Toro’s ‘Pinocchio’

by Ben Mitchell| 09 Nov 2022

Henry Selick (Wendell & Wild) Podcast Interview

by Ben Mitchell| 27 Oct 2022

Pinocchio: Interview with Puppet Supervisor Georgina Hayns & Production Designer Guy Davis

by Laura-Beth Cowley| 18 Oct 2022

Get career advice from an award-winning Animation studio, Blue Zoo

by Skwigly| 12 Oct 2022

Trailer & key art released for Netflix’s ‘ONI: Thunder God’s Tale’

by Ben Mitchell| 07 Oct 2022