Women In Animation announces recipients of 2020 WIA Scholarships

by Skwigly| 24 Feb 2020

Pinocchio’s Diamond Anniversary: 80 Years of a Classic Animated Masterpiece

by Martyn Warren| 19 Feb 2020

Are You Paid the Right Amount for Your Work? Negotiating Pay & the Gender Pay Gap in Animation and VFX

by Lee Lucy| 18 Feb 2020

Stuttgart International Festival of Animated Film release first Programme Highlights

by Skwigly| 17 Feb 2020

The Decade Britain Got Animated Part 2: Taxing Stuff

by Steve Henderson| 13 Feb 2020

Cosmos-Maya to co-produce ‘Dogtanian and the Three Muskehounds’ feature film with Apolo Films

by Ben Mitchell| 12 Feb 2020

Q&A with Joanna Hepworth, Animation Director on ‘Love Monster’

by Ben Mitchell| 07 Feb 2020

The Current State of Stop-Motion is Looking Rosy: MOMAKIN Give Their Perspective

by Skwigly| 06 Feb 2020

Cardiff Animation Festival announces Official Selection

by Skwigly| 06 Feb 2020

Podcast: Elizabeth Hobbs (“I’m OK”)

by Ben Mitchell| 06 Feb 2020

Nexus Studios and Sam Southward create animated spot for Milka

by Skwigly| 04 Feb 2020

The Hilarious, Downtrodden and Impactful Legacy of Bojack Horseman

by Martyn Warren| 29 Jan 2020

Animation Rewind: Ten Years, Ten Big changes

by Nathan Wilkes| 16 Jan 2020

Inclusion & Diversity in UK Animation Workforce: A Response

by Tanya Scott| 15 Jan 2020

The Decade Britain Got Animated Part 1: Save UK Animation!

by Steve Henderson| 06 Jan 2020

Podcast: Interview with ‘The Tiger Who Came To Tea’ director Robin Shaw

by Ben Mitchell| 23 Dec 2019

The Evolution of LAIKA – Q&A with Chris Butler and Oliver Jones

by Julia Young| 17 Dec 2019

Revolution with SMODO – An Innovative New Stop Motion Technology

by Skwigly| 11 Dec 2019