‘Christopher at Sea’ – new work from Tom C J Brown to premiere at Venice Film Festival

by Skwigly| 02 Aug 2022

Blinkink’s Stevie Gee & Essy May create a mixed media mini-extravaganze for Amazon Music

by Skwigly| 02 Aug 2022

Jellyfish Originals taps Elena Wurlitzer as Development Producer

by Skwigly| 01 Aug 2022

‘Cracker Island’ – Fx Goby & Jamie Hewlett team up for new Gorillaz music video

by Skwigly| 29 Jul 2022

Watch: Teaser trailer for Guillermo del Toro’s ‘Pinocchio’

by Ben Mitchell| 27 Jul 2022

Record Number of Submissions for Kids Kino Industry 2022: Discover the Official Selection

by Skwigly| 22 Jul 2022

Cinesite acquires Montreal studio L’Atelier Animation

by Skwigly| 20 Jul 2022

LINOLEUM 2022 Announces Competition Programme, Festival Theme & Official Trailer

by Skwigly| 20 Jul 2022

“Leave Me Alone, I’M FINE!” Ukrainians and British Initiate Joint Cultural Project on Emotional Burnout

by Aaron Wood| 18 Jul 2022

The Rubbish World of Dave Spud and ITV team up to bring workshops and animation to local children

by Skwigly| 15 Jul 2022

WildBrain captures global distribution rights to Harpercollins Productions’ ‘Carmen Sandiego’

by Skwigly| 14 Jul 2022

Will Child joins Blinkink talent roster

by Skwigly| 14 Jul 2022

Dandelooo Signs deal for preschool series ‘Petit’ and ‘Ella, Oscar & Hoo’

by Skwigly| 12 Jul 2022

Joseph Coelho – Newly Unveiled Waterstones Children’s Laureate To Deliver CMC 2022 Keynote

by Skwigly| 04 Jul 2022

Cardiff Animation Festival launches Planet Positive Animation Network to help the sector reach net zero

by Skwigly| 01 Jul 2022

ANIMARKT Stop Motion Forum 2022 Opens Submissions For Workshops And Pitching

by Aaron Wood| 30 Jun 2022

BlinkInk’s Renee Zhan directs new ad ‘The Gooniverse Factory’ for Trolli

by Skwigly| 29 Jun 2022

Illuminated Films and LMI agree deal for licensing of ‘The Rubbish World of Dave Spud’

by Skwigly| 29 Jun 2022