Teaser released for Áron Gauder’s ‘Four Souls of Coyote’

by Skwigly| 31 Oct 2022

WIA announces sixth annual WIA Diversity Award recipients

by Skwigly| 27 Oct 2022

Tenth Annual CEE Animation Forum Starts Next Week

by Skwigly| 27 Oct 2022

Blue Zoo and Plug-In Media create new regional studio Brighton Zoo

by Skwigly| 25 Oct 2022

ANIMARKT Stop Motion Forum 2022 Announces Program

by Skwigly| 25 Oct 2022

New Trailer & Poster For Disney’s Action-Packed Adventure “Strange World”

by Skwigly| 24 Oct 2022

Saffron Cherry’s Award Winning ‘The World According To Grandpa’ Returns To Channel 5’s Milkshake

by Skwigly| 24 Oct 2022

WIA Announces 2023 Scholarship Program Industry Partners

by Skwigly| 21 Oct 2022

ACCESS:VFX launches new European chapter with sponsorship from Netflix

by Skwigly| 20 Oct 2022

All Interviews and Films from I’M FINE! Project Now Online, as Project Nears End

by Aaron Wood| 20 Oct 2022

Aardman Academy Launches University Partnership Programme

by Skwigly| 13 Oct 2022

‘Fête du Cinéma d’Animation’ Events & Screenings Taking Place Throughout October in London

by Aaron Wood| 13 Oct 2022

Zinkia grows with Pocoyo and unveils new projects

by Skwigly| 12 Oct 2022

Get career advice from an award-winning Animation studio, Blue Zoo

by Skwigly| 12 Oct 2022

Apple Original Films lands animated short film ‘The Boy, the Mole, the Fox and the Horse’

by Skwigly| 11 Oct 2022

Trailer & key art released for Netflix’s ‘ONI: Thunder God’s Tale’

by Ben Mitchell| 07 Oct 2022

Omens Studios strengthens UK creative and business teams

by Skwigly| 06 Oct 2022

Report: AnimaSyros 2022 – An Intimate Greek Festival Experience

by Aaron Wood| 05 Oct 2022