Cosm Studios to distribute Erick Oh’s acclaimed animated short ‘Namoo’

by Skwigly| 01 Mar 2022

ANIDOX:LAB ’22 Call for Applications

by Skwigly| 28 Feb 2022

New research makes recommendations for action on accessibility in animation

by Skwigly| 24 Feb 2022

Marion Claret to lead Dandelooo’s animation studio Ooolala

by Skwigly| 23 Feb 2022

Cinesite appoints former LAIKA senior exec Bradley Wald as Animation COO

by Skwigly| 18 Feb 2022

Kong Studio create animated sequences for new series ‘Billy Connolly Does’

by Skwigly| 15 Feb 2022

Women In Animation announces recipients of 2022 WIA Scholarships

by Skwigly| 11 Feb 2022

Oink, Where Is Anne Frank, and Turning Red Feature in 25th New York International Children’s Film Festival

by Skwigly| 11 Feb 2022

WATCH: Nicolas Ménard and Manshen Lo’s elegant title sequence for Netflix’s ‘The House’

by Skwigly| 11 Feb 2022

Finalists announced for 2022 British Animation Awards

by Skwigly| 10 Feb 2022

2022 Oscar® nominations announced

by Skwigly| 08 Feb 2022

WildBrain and Jay Ward Productions join forces on legendary classics

by Skwigly| 04 Feb 2022

Miyu Distribution launches new YouTube channel BANG BANG

by Ben Mitchell| 04 Feb 2022

Next Lab Advances Details Of Its Program And Reveals The Jury

by Skwigly| 04 Feb 2022

NETFLIX Unveil Preview of Animated Films for 2022

by Steve Henderson| 03 Feb 2022

2022 BAFTA Nominations Announced

by Steve Henderson| 03 Feb 2022

CEE Animation Workshop Announces Its Selection

by Aaron Wood| 01 Feb 2022

Aardman and Wild in Art team up for ‘Morph’ and ‘Shaun the Sheep’ sculpture trails

by Skwigly| 01 Feb 2022