The Animation Showcase release Oscar® shortlisted films to industry professionals and students

by Skwigly| 16 Jan 2023

BFI Young Audiences Content Fund final evaluation released

by Aaron Wood| 13 Jan 2023

‘Blind Willow, Sleeping Woman’ – Animated Adaptation of Short Stories by Haruki Murakami – Opening in UK Cinemas in March

by Skwigly| 12 Jan 2023

What Are UK Animation Professionals Getting Paid? She Drew That Release Findings from Their 2022 Salary Survey

by Aaron Wood| 11 Jan 2023

Gutsy Animations’ ‘Moominvalley’ secures season four greenlight

by Skwigly| 11 Jan 2023

❄️Skwigly’s Seasonal Playlist❄️

by Ben Mitchell| 23 Dec 2022

The Best Of The Best Have Been Trained: First Edition Of StopMoLab Program Is Finished

by Skwigly| 23 Dec 2022

Cardiff Animation Festival is back with a mini edition in March 2023

by Skwigly| 20 Dec 2022

Feature Film Prequel to A.A. Milne’s “WINNIE THE POOH” Announced by Baboon Animation

by Skwigly| 16 Dec 2022

Across the Spider-Verse Trailer + The Directors Speak!

by Steve Henderson| 14 Dec 2022

Nexus Studios, Gorillaz and Google to present two revolutionary immersive performances

by Skwigly| 10 Dec 2022

Apple TV+ unveils trailer for animated short ‘The Boy, the Mole, the Fox, and the Horse’

by Skwigly| 09 Dec 2022

The Media Pioneers announce new deals for 2022

by Skwigly| 07 Dec 2022

Trailer released for Magic Light’s ‘The Smeds and the Smoos’

by Skwigly| 02 Dec 2022

Oswald the Lucky Rabbit Stars In An New Short to Celebrate Disney 100 Years of Wonder

by Aaron Wood| 01 Dec 2022

2023 Kidscreen Awards announce shortlist nominees

by Skwigly| 30 Nov 2022

Chatrone Produces First Netflix Brazilian Children’s Animated TV show “O Menino Maluquinho” (The Nutty Boy)

by Skwigly| 23 Nov 2022

Nexus Studios and Johnny Kelly’s ‘The Monster’ inspires conscious consumption for Back Market

by Skwigly| 22 Nov 2022