Annecy 2022: Across the Spider-Verse – First Look

by Steve Henderson| 13 Jun 2022

Netflix Sets Bold Slate Of Animated Series And Films From Europe

by Aaron Wood| 09 Jun 2022

Women in Animation World Summit at Annecy – Program Announcement

by Skwigly| 06 Jun 2022

Blink Industries create animation for ‘Inside No. 9’ series 7 finale ‘Wise Owl’

by Skwigly| 01 Jun 2022

Rise and Shine pitching event – Official Selection 2022

by Skwigly| 01 Jun 2022

Pixar Creative Development Head Mary Coleman joins Locksmith Animation as Chief Creative Officer

by Skwigly| 01 Jun 2022

Magic Light’s ‘Pip and Posy’ recommissioned for second series

by Skwigly| 01 Jun 2022

Netflix Delivers World Class Animation Talent At Its First Annecy International Animation Film Festival Showcase

by Skwigly| 26 May 2022

Trailer released for Netflix series ‘Dead End: Paranormal Park’

by Ben Mitchell| 24 May 2022

Shanghai Animation Film Studio Retro Section Premiering in UK with “Surprise Film”

by Skwigly| 21 May 2022

Magic Light Pictures to adapt ‘The Smeds and the Smoos’ for Christmas 2022 + cast reveal

by Skwigly| 16 May 2022

Young Animator of the Year UK is Back for 2022!

by Skwigly| 16 May 2022

The Stop Motion Training Program – StopMoLab – Has Published Its May Program & Free Lectures

by Skwigly| 09 May 2022

Love Death + Robots V3 trailer debut, director & episode list reveal

by Ben Mitchell| 09 May 2022

WATCH: Smith & Foulkes celebrate the richness of Emirati culture in ‘Dreaming Together’

by Skwigly| 09 May 2022

WIA & FIAPF select 6 delegates for Stories x Women

by Ben Mitchell| 06 May 2022

Annecy Festival Unveils Its Official Selection for Feature Films

by Skwigly| 03 May 2022

Blinkink’s Stevie Gee & Essy May visualise ‘Urethane’ for The Range

by Skwigly| 26 Apr 2022