News

Cardiff Animation Festival announces Mini-Festival 2023

by Skwigly | 24 Feb 2023

News

The first cinematic highlights of the ITFS programme

by Skwigly | 23 Feb 2023

News

The Animation Workshop Graduates’ Projects 2023 Available Online

by Skwigly | 23 Feb 2023

Business

Nexus Studios announces the launch of Nexus Design Studio

by Skwigly | 22 Feb 2023

News

CEE Animation Workshop Announces the Selection of 12 Projects for 2023

by Skwigly | 22 Feb 2023

Business

Dandelooo nets ‘The Super Heroes of Nature’

by Skwigly | 21 Feb 2023

Featured

Voice in the Hollow: Pushing Indie Horror and African Talent to the Next Level

by Melanie Cionco | 21 Feb 2023

News

BAFTA Wins for Guillermo del Toro’s Pinocchio and The Boy, The Mole, The Fox and the Horse

by Ben Mitchell | 20 Feb 2023

Interview

Pierre Földes on ‘Blind Willow, Sleeping Woman’, an Animated Adaptation of Haruki Murakami’s Short Stories

by Ryan Gaur | 17 Feb 2023

Trailer released for new Keira Knightley-narrated ITVBe series ‘The Sound Collector’

by Skwigly | 16 Feb 2023

News

FREE Virtual Panel with Directors of Oscar Contenders for Best Animated Short: VIEW Conference PreVIEW

by Skwigly | 15 Feb 2023

News

She Drew That Publish Podcast that Explores their Animation Salary Report

by Skwigly | 15 Feb 2023

Featured

Remembering The Wombles: 50 Years of Ivor Wood’s Classic Series

by Martyn Warren | 15 Feb 2023

News

Belgian Bonanza at the Anima Festival: Plenty of Home-Grown Films to Discover

by Skwigly | 14 Feb 2023

Business

Paper Owl Films gets green light for second series of ‘Happy the Hoglet’

by Skwigly | 14 Feb 2023

Featured

Women In Animation announces recipients of 2023 WIA Scholarships

by Skwigly | 13 Feb 2023

Business

Bomper Studio implements a 4 day work week and encourages others to follow suit

by Skwigly | 10 Feb 2023

News

Baboon and GoKidGo Launch Winnie-the-Pooh Podcast as Part of Multi-IP Deal

by Skwigly | 10 Feb 2023