Gorillaz unveils new animated short: ‘The Mountain, The Moon Cave & The Sad God’ in Collaboration with THE LINE

by Skwigly| 27 Feb 2026

Cantilever Media unlocks £500k investment with Creative Growth Finance to strengthen distribution strategy

by Skwigly| 26 Feb 2026

2026 Kidscreen Awards announce winners in all categories

by Skwigly| 25 Feb 2026

Hand-Painted Animated Short Layla’s Mountain Explores Life with Ultra-Rare Condition aHUS

by Skwigly| 23 Feb 2026

CEE Animation Workshop Announces 2026 Selection

by Skwigly| 23 Feb 2026

Two Black Boys in Paradise Wins 2026 EE BAFTA Film Award for British Short Animation

by Skwigly| 23 Feb 2026

Aquila & The Medieval Misfits confirmed for Canal+, ITV/ITVX, NDR and RTBF

by Skwigly| 23 Feb 2026

BBC acquires adult animation series ‘Deano’

by Skwigly| 20 Feb 2026

Netflix acquires Mexico’s first stop-motion feature ‘I Am Frankelda’ for 2026 debut

by Skwigly| 20 Feb 2026

Banijay Kids & Family Expands Third‑Party Representation with Digital Acquisitions

by Skwigly| 19 Feb 2026

The National Animation Museum and CalArts Announce New Collaboration Exploring the Future of Animation

by Skwigly| 13 Feb 2026

The largest animation and digital arts community for teenagers in Romania and Moldova now opens to Bulgaria

by Skwigly| 12 Feb 2026

WATCH | Blinkink crafts a baroque stop-motion spectacle ‘Ride to the Moon’ for Dior

by Skwigly| 11 Feb 2026

Animated Film Carved from a 40-Year-Old Graffiti Wall – SKRFF – Now Online

by Skwigly| 11 Feb 2026

Anima Kitchent and Mocca Studio Strike Co-Production Deal For Pre-School Series “Baby Zu”

by Skwigly| 10 Feb 2026

Young V&A exhibition explores behind-the-scenes of Aardman’s ‘cracking creations’,

by Skwigly| 10 Feb 2026

8 Lions Entertainment partners with Lupus Films on global YouTube distribution strategy

by Skwigly| 09 Feb 2026

Lotte Reiniger Takes Centre Stage at Stuttgart Animation Festival 2026

by Skwigly| 06 Feb 2026