Turning Red: What is Worthy of Cinema?

by Ryan Gaur | 24 Jan 2022

Blinkink’s Jac Clinch directs ‘Here Comes Crow’ for Police Dog Hogan

by Skwigly | 21 Jan 2022

Aardman reveals first look and voice cast for ‘Chicken Run: Dawn of the Nugget’

by Ben Mitchell | 20 Jan 2022

‘Wallace & Gromit’ set to return for new outing in 2024

by Ben Mitchell | 20 Jan 2022

Trailer released for Netflix’s ‘The Cuphead Show’

by Ben Mitchell | 19 Jan 2022

AARDMAN REVEALS FRESH FACE WITH NEW BRANDING

by Skwigly | 17 Jan 2022

A conversation with the talents behind ‘The House’

by Ben Mitchell | 17 Jan 2022

‘The House’ Review

by Ben Mitchell | 14 Jan 2022

Don Hertzfeldt’s WORLD OF TOMORROW Blu-ray collection released

by Ben Mitchell | 10 Jan 2022

Podcast: ‘Encanto’, ‘Superworm’ & ‘The Abominable Snow Baby’

by Ben Mitchell | 21 Dec 2021

Official trailer released for Netflix’s ‘The House’

by Ben Mitchell | 16 Dec 2021

Nexus Studios creates magical miniature worlds for Airbnb

by Skwigly | 15 Dec 2021

LIAF 2021: Q&A with Nag Vladermersky

by Ben Mitchell | 24 Nov 2021

Making ‘Robin Robin’ with Mikey Please and Dan Ojari

by Laura-Beth Cowley | 23 Nov 2021

“There are no cats in America and the streets are made of cheese” – An American Tail Celebrates 35 Years

by Martyn Warren | 21 Nov 2021

Review: Kim Hye-mi’s ‘Climbing’

by Laura-Beth Cowley | 17 Nov 2021

Netflix’s ‘The House’ – first look & premiere date announcement

by Ben Mitchell | 17 Nov 2021

Passion Pictures creates animated Paddington Bear seasonal campaign for Barbour

by Skwigly | 04 Nov 2021