Nexus Studios, Gorillaz and Google to present two revolutionary immersive performances

by Skwigly| 10 Dec 2022

Apple TV+ unveils trailer for animated short ‘The Boy, the Mole, the Fox, and the Horse’

by Skwigly| 09 Dec 2022

The Media Pioneers announce new deals for 2022

by Skwigly| 07 Dec 2022

Trailer released for Magic Light’s ‘The Smeds and the Smoos’

by Skwigly| 02 Dec 2022

Oswald the Lucky Rabbit Stars In An New Short to Celebrate Disney 100 Years of Wonder

by Aaron Wood| 01 Dec 2022

2023 Kidscreen Awards announce shortlist nominees

by Skwigly| 30 Nov 2022

Chatrone Produces First Netflix Brazilian Children’s Animated TV show “O Menino Maluquinho” (The Nutty Boy)

by Skwigly| 23 Nov 2022

Nexus Studios and Johnny Kelly’s ‘The Monster’ inspires conscious consumption for Back Market

by Skwigly| 22 Nov 2022

Animation UK and UK Screen Alliance Welcome Consultation into Screen Sector Tax Reliefs

by Skwigly| 20 Nov 2022

And the Manchester Animation Festivals 2022 Winners Are…

by Skwigly| 20 Nov 2022

Music Video Created Entirely in Watercolour Paint – Never Gonna Be Alone – Released

by Skwigly| 10 Nov 2022

Animarkt Stop Motion Projects Awarded at 2022 Edition, with Record Number of Participants

by Aaron Wood| 10 Nov 2022

Watch: Trailer for Guillermo del Toro’s ‘Pinocchio’

by Ben Mitchell| 09 Nov 2022

‘The Bad Guys’ holiday special coming to Netflix in 2023

by Skwigly| 09 Nov 2022

Industry Keynote Speaker Announced for Manchester Animation Festival

by Skwigly| 04 Nov 2022

London International Animation Festival Back for Live Audiences at 5 London Venues | See What’s On This Year

by Skwigly| 02 Nov 2022

Teaser released for Áron Gauder’s ‘Four Souls of Coyote’

by Skwigly| 31 Oct 2022

WIA announces sixth annual WIA Diversity Award recipients

by Skwigly| 27 Oct 2022