Netflix acquires Mexico’s first stop-motion feature ‘I Am Frankelda’ for 2026 debut

by Skwigly| 20 Feb 2026

Banijay Kids & Family Expands Third‑Party Representation with Digital Acquisitions

by Skwigly| 19 Feb 2026

The National Animation Museum and CalArts Announce New Collaboration Exploring the Future of Animation

by Skwigly| 13 Feb 2026

The largest animation and digital arts community for teenagers in Romania and Moldova now opens to Bulgaria

by Skwigly| 12 Feb 2026

WATCH | Blinkink crafts a baroque stop-motion spectacle ‘Ride to the Moon’ for Dior

by Skwigly| 11 Feb 2026

Animated Film Carved from a 40-Year-Old Graffiti Wall – SKRFF – Now Online

by Skwigly| 11 Feb 2026

Anima Kitchent and Mocca Studio Strike Co-Production Deal For Pre-School Series “Baby Zu”

by Skwigly| 10 Feb 2026

Young V&A exhibition explores behind-the-scenes of Aardman’s ‘cracking creations’,

by Skwigly| 10 Feb 2026

8 Lions Entertainment partners with Lupus Films on global YouTube distribution strategy

by Skwigly| 09 Feb 2026

Lotte Reiniger Takes Centre Stage at Stuttgart Animation Festival 2026

by Skwigly| 06 Feb 2026

Aardman In Concert’ A Brand-New UK Tour

by Skwigly| 06 Feb 2026

Animation Is Art: An exhibition curated and presented by Animation Dingle

by Skwigly| 05 Feb 2026

BBC Ignite announce launch of first animation programme series ‘Duck & Frog’

by Skwigly| 05 Feb 2026

WildBrain and The Pokémon Company International further expand global FAST footprint

by Skwigly| 05 Feb 2026

On The Edge: Family animation breaks free in cinemas globally in 2027

by Skwigly| 04 Feb 2026

WIA appoints Hayley Porter as Executive Director to lead global growth

by Skwigly| 03 Feb 2026

The 4 Animated Features Screening at Glasgow Film Festival (GFF) 2026

by Skwigly| 03 Feb 2026

“Stranger Things: Tales From ’85” official teaser released

by Ben Mitchell| 02 Feb 2026