ANIMAGE, Brazil’s Leading Animation Festival, to Host International Market in November

by Skwigly| 01 Jun 2026

ANIMASYROS 2026 Agora – Call for Submissions for the Pitching Forum, Deadline 1st July

by Skwigly| 29 May 2026

Trailer and key art released for Netflix’s ‘I Am Frankelda’

by Ben Mitchell| 29 May 2026

WIA welcomes ESMA as latest educational partner

by Skwigly| 28 May 2026

TwelveP Animation Expands YouTube business with new hubs and distribution deals

by Skwigly| 28 May 2026

Mélanie Boudreau Blanchard appointed Producer with the NFB’s French Animation Unit

by Skwigly| 27 May 2026

Ottawa International Animation Festival (OIAF) Names All-Canadian Jury for 50th Edition

by Skwigly| 22 May 2026

From Pac-Man to South Park: The Animation Winners of the 2026 Telly Awards

by Skwigly| 20 May 2026

Madgic Distribution takes ‘Lana Longbeard’ on global journey

by Skwigly| 19 May 2026

Cartoon Network Introduces International Audiences to Adventure Time: Side Quests

by Skwigly| 18 May 2026

CEE Animation Forum 2026 to Host Council of Europe Series Co-Production Development Award

by Skwigly| 15 May 2026

Animation Supplies Launches Chroma Clay for Stop-Motion Animators Following Newplast Factory Closure

by Skwigly| 15 May 2026

First teaser trailer for LAIKA’s ‘Wildwood’ released

by Ben Mitchell| 14 May 2026

LAIKA x Gotham Animation Accelerator fellows announced

by Skwigly| 13 May 2026

Moshi Monsters Returns as Animated Series and Multi-Platform Franchise

by Skwigly| 13 May 2026

Pink Parrot Media inks first deals for ‘Tistou’, appoints Aurélien Piris as Senior Sales Manager

by Skwigly| 12 May 2026

New Bristol-based studio Doublecat Productions launches

by Skwigly| 11 May 2026

Creator of ‘Masha and the Bear’ Returns with New Studio and Original Feature Film in Pre-production

by Skwigly| 11 May 2026